Affection in the 21st Century British Invasion
Wednesday, May 21, 2014
Thursday, May 15, 2014
SSRS Throwdown: Proposed Lyrics
"Ode To
Sleep"
by: twenty one pilots
I wake up fine and
dandy but then by the time I find it handy,
To rip my heart apart and start planning my crash landing,
I go up, up, up, up, up to the ceiling,
Then I feel my soul start leaving, like an old man's hair receding,
I'm pleading please, oh please on my knees repeatedly asking,
Why it's got to be like this, is this living free,
I don't want to be the one, be the one who has the son's blood on my hands,
I'll tell the moon, take this weapon forged in darkness,
Some see a pen, I see a harpoon.
I'll stay awake, 'cause the dark's not taking prisoners tonight.
Why am I not scared in the morning,
I don't hear those voices calling,
I must have kicked them out,
I must have kicked them out,
I swear I heard demons yelling,
Those crazy words they were spelling,
They told me I was gone,
They told me I was gone.
But I'll tell them,
Why won't you let me go?
Do I threaten all your plans?
I'm insignificant.
Please tell them you have no plans for me.
I will set my soul on fire, what have I become?
I'll tell them!
On the eve of a day that's forgotten and fake,
As the trees they await and clouds anticipate,
The start of a day when we put on our face,
A mask that portrays that we don't need grace,
On the eve of a day that is bigger than us,
But we open our eyes 'cause we're told that we must,
And the trees wave their arms and the clouds try to plead,
Desperately yelling there's something we need,
I'm not free, I asked forgiveness three times,
Same amount that I denied, I three-time mvp'ed this crime,
I'm afraid to tell you who I adore, won't tell you what I'm singing towards,
Metaphorically I'm a whore, and that's denial number four.
I'll stay awake, 'cause the dark's not taking prisoners tonight.
Why am I not scared in the morning,
I don't hear those voices calling,
I must have kicked them out,
I must have kicked them out,
I swear I heard demons yelling,
Those crazy words they were spelling,
They told me I was gone,
They told me I was gone.
But I'll tell them,
Why won't you let me go?
Do I threaten all your plans?
I'm insignificant.
Please tell them you have no plans for me.
I will set my soul on fire, what have I become?
I'll tell them you have no plans for me.
I will set my soul on fire, what have I become?
I'll tell them
I'll tell them
I'll tell them
I'll tell them
Please tell them you have no plans for me,
I will set my soul on fire, what have I become?
I'm sorry
To rip my heart apart and start planning my crash landing,
I go up, up, up, up, up to the ceiling,
Then I feel my soul start leaving, like an old man's hair receding,
I'm pleading please, oh please on my knees repeatedly asking,
Why it's got to be like this, is this living free,
I don't want to be the one, be the one who has the son's blood on my hands,
I'll tell the moon, take this weapon forged in darkness,
Some see a pen, I see a harpoon.
I'll stay awake, 'cause the dark's not taking prisoners tonight.
Why am I not scared in the morning,
I don't hear those voices calling,
I must have kicked them out,
I must have kicked them out,
I swear I heard demons yelling,
Those crazy words they were spelling,
They told me I was gone,
They told me I was gone.
But I'll tell them,
Why won't you let me go?
Do I threaten all your plans?
I'm insignificant.
Please tell them you have no plans for me.
I will set my soul on fire, what have I become?
I'll tell them!
On the eve of a day that's forgotten and fake,
As the trees they await and clouds anticipate,
The start of a day when we put on our face,
A mask that portrays that we don't need grace,
On the eve of a day that is bigger than us,
But we open our eyes 'cause we're told that we must,
And the trees wave their arms and the clouds try to plead,
Desperately yelling there's something we need,
I'm not free, I asked forgiveness three times,
Same amount that I denied, I three-time mvp'ed this crime,
I'm afraid to tell you who I adore, won't tell you what I'm singing towards,
Metaphorically I'm a whore, and that's denial number four.
I'll stay awake, 'cause the dark's not taking prisoners tonight.
Why am I not scared in the morning,
I don't hear those voices calling,
I must have kicked them out,
I must have kicked them out,
I swear I heard demons yelling,
Those crazy words they were spelling,
They told me I was gone,
They told me I was gone.
But I'll tell them,
Why won't you let me go?
Do I threaten all your plans?
I'm insignificant.
Please tell them you have no plans for me.
I will set my soul on fire, what have I become?
I'll tell them you have no plans for me.
I will set my soul on fire, what have I become?
I'll tell them
I'll tell them
I'll tell them
I'll tell them
Please tell them you have no plans for me,
I will set my soul on fire, what have I become?
I'm sorry
Wednesday, April 16, 2014
Tonal Analysis
Expressing
his feelings towards Whitney Houston’s tragic death in “Miss America”, James
Blunt utilizes allusions to the celebrity, sober personification, and a
multiple person point of view to exhibit his tone of solemn reminiscence.
By
employing allusions to Whitney Houston, James Blunt successfully displays his
universal tone of solemn reminiscence. Through these allusions Blunt ensures
the song is about Houston without including her name in his lyrics. The title,
“Miss America”, alludes to the reputation Houston holds in her home country.
Every citizen of America is familiar with her celebrity status and has heard
her famous hit, “I Wanna Dance With Somebody”. Blunt’s title choice reflects
the fame Houston possessed as well as her powerful influence on many young,
aspiring artists. His tone is revealed through his solemn reflection on her
once striving popularity. Consistently using allusions towards her fame, Blunt
describes the way she was once displayed to the public. Houston would often be
found with her “picture in the paper” and her face on the “silver screen”.
While she was alive, her stardom affected everyone in some fashion, yet
continues to do so today. However, in present day, she is remembered as a
talented woman who passed away too early. On February 11, 2012, the world
received the news she had passed away and her name was yet again plastered on
every news surface possible. People, including Blunt himself, mourned for her
sudden death. Found unconscious submerged bathtub in her hotel room, Whitney
Houston’s cause of death is known to be heart disease and cocaine use. Blunt
questions if “someone [gave her] something to help [her] ease the pain”. As he
looks back on the situation, Blunt’s tone displays his wistful feelings that if
Houston was not given accessibility to these drugs she may not have undergone
such a death. Within “Miss America”, allusions are deliberately placed into
James Blunt’s lyrics to portray his solemn, reminiscent tonal usage.
Personification
is inserted by Blunt to assist in the conveying of his ubiquitous tone
throughout his song. Before her life was ended, Whitney Houston could often be
found on the front of a tabloid magazine with a major, total farce headline
about her. As an onlooker just like any other citizen, Blunt wonders through
his lyrics if her “make-up never [made] up for the pain behind [her] eyes”.
Even though she appeared to be joyous and gleaming in pictures, her makeup was
just a cover up for what she was truly experiencing. Ideally someone would have
come to her rescue, but it became too late and too much damage had been done.
Blunt wishes that a friend, family member, or anyone would have been able to
aid her in her recovery as he reminisces on unnecessary, life-changing
mistakes. Once healthy and flourishing, everyone “watched [Houston] fly” and
glow within her reputation. Because of her substance abuse, she started to
become decrepit and then “[fell] apart”. Reminiscing on her avoidable cause of
death, Blunt morosely conveys that she was ill and sick at the end of her short
life. As Houston consumed all of her alcohol and pain medication, she was
slowly destroying her body in the process. Just “like the liquor in the bottle,
[they] watched [her] slip away”. The slipping away of her soul produces a
sorrowful statement, implying that her death was a long time coming and was not
peaceful. Blunt’s portrayal and reflection of the catastrophic scenario in
which Houston died contributes to the melancholy feeling of his tone. Blunt
displays the tragicalness of her situation through his somber tone, as she was
living another life behind the scenes before her body gave up.
A multiple person narrative point of view is applied to
Blunt’s lyrics to personally show his reflective, solemn tone towards Whitney
Houston’s shocking death. Not only does the use of a multiple person narrative
point of view convey his feelings, but also represents normal onlookers’
emotions towards Whitney Houston as well. James Blunt speaks of Whitney as if
he has personally been touched by her graceful spirit and has been
acquaintances with her for years. He creates an apostrophe speaking towards
Houston by expressing: “I feel as if I know you when you’re on my silver
screen, but I don’t know the places that you’ve been”. James Blunt exhibits
that he has witnessed Houston’s presence only on television and confesses he
cannot imagine the struggles she was facing. Speaking for every human once
touched by Houston, James reassures everyone that “someday we’ll find you’ll
live forever”. Directly comforting Whitney in his purposefully placed
apostrophe, Blunt solemnly shows through his tone that although much sadness is
present now and Whitney is not with the human population anymore, one day everyone
shall be in heaven together. Illustrating another defeated attempt at trying to
envision her constant battle with substances, he says: “I don’t know what goes
on in your mind, I’m sure it’s enough to make me cry”. As she is now in heaven,
James reflects and tries to feel the same pain she did when she was alive, but cannot
come close. He is only capable of partially thinking about her mental wounds,
which makes him immensely upset. Utilizing a multiple person narrative point of
view, James Blunt creates the feeling as if he and the listeners are speaking
to Whitney themselves to display his tone of solemn reminiscence towards her
and her journey into heaven.
Through his reflective tone of solemnity in “Miss America”, James Blunt portrays that despite Whitney Houston passing away, “no goodbyes” are necessary because she will “always be Miss America”. Throughout “Miss America”, Blunt employs a multiple person narrative point of view, allusions to the star, and dismal personification to exhibit his tone of solemn reminiscence. The collaboration of these elements provide in the depiction of Blunt’s slightly depressing universal tone that accompany the story of Whitney Houston’s sudden death. James Blunt creates a beautiful tribute to a star of the modern age that will never be forgotten.
Through his reflective tone of solemnity in “Miss America”, James Blunt portrays that despite Whitney Houston passing away, “no goodbyes” are necessary because she will “always be Miss America”. Throughout “Miss America”, Blunt employs a multiple person narrative point of view, allusions to the star, and dismal personification to exhibit his tone of solemn reminiscence. The collaboration of these elements provide in the depiction of Blunt’s slightly depressing universal tone that accompany the story of Whitney Houston’s sudden death. James Blunt creates a beautiful tribute to a star of the modern age that will never be forgotten.
Monday, April 7, 2014
Tonal Analysis Rough Draft
Portraying his
adoration for a woman whose face he has just “saw...in a crowded place” in
“You’re Beautiful”, James Blunt employs his emotions of admiration, heartache,
and reflection to exhibit his tone of affectionate reminiscence.
Blunt utilizes his awe of this
woman’s beauty to display his universal tone of the song. Within describing the
scene of a populous city, he walks by a breath-taking woman. Surrounded by
bunches of people and soaring buildings she catches “[his] eye, as [they] walk
on by” each other. The hustling atmosphere of the city is washed away as he
lays eyes on the stunning woman. He quickly becomes infatuated with her,
proving his feelings towards the complete stranger. Unlike any other citizen
wandering the busy urban area, in this girl “[he sees] an angel”. Purity,
peacefulness, and beauty are all associated with angels and by depicting the
woman he saw as one, it is evident that Blunt quickly possesses a strong
fondness for her. Revisiting the use of angelic descriptions, he pictures what
the heavens must be thinking as they purposefully put those two in contact with
each other. He believes that “that there must be an angel with a smile on her
face when she thought” that they were destined for one another. James Blunt
deliberately shows his love for his woman he recently passed on the street in
order to justify his tone of affectionate reminiscence.
Blunt’s pain is shown to (....................).
Typically, public transport in the city is known to be crowded and dirty,
creating an unpleasant atmosphere for the rider. Yet in Blunt’s case, his newly
found lover “smile[s] at [him] on the subway,” but “she [is] with another man”.
Binary Thesis: "Have a Cigar" and "Rock n' Roll Band"
Though both Pink Floyd's "Have a Cigar" and Boston's "Rock n' Roll Band" exhibit the tale of a band's shot at a big break, Pink Floyd displays the heartless story of an indifferent music producer attempting to attract the band through a tone of cynical mockery, while Boston describes the thrill of finally signing a record deal by utilizing a tone of enthusiastic nostalgia.
Sunday, March 30, 2014
Binary Thesis: "Breezeblocks" and "I Wanna Be Yours"
Arctic Monkeys' "AM" album artwork |
Alt-J's "An Awesome Wave" album artwork |
Monday, March 24, 2014
Album Review: Salute
After their 1st successful album release of “DNA”
in 2013, Little Mix are back it. Composed of the vocal powers from Leigh-Anne
Pinnock, Jesy Nelson, Jade Thrilwall, and Perrie Edwards, this girl band was
the first group to win the U.K. series of “X-Factor”. Working with stars like Tulisa Contostavlos, their mentor on
X-Factor, Missy Elliot, and T-Boz from TLC, Little Mix have certainly
showcased their talent within their tracks. Their music goes far beyond the
traditional bubblegum pop sound that most singing bands give off as girls
include a mature R&B flare to
their 2nd debut album, “Salute”. Their fans, “mixers”, respond well to Salute's main theme, girl power, a vital message today’s 21st
century needs to receive.
Coming
off the prosperity of their 1st single, "Wings", Little
Mix’s second album had high expectations. Their 15 song
album is quite diverse, incorporating stripped down performances, ballads, and
upbeat pop songs, all of which exhibit the group’s immense vocal range. The title
song, Salute starts off their album with lyrics reflecting women’s power, as
they urge their fans to “stand up and salute” through a pop and R&B styled
song. Move, the 1st single
released off the album is a step up from Wings. While still providing the
upbeat style that appeals to many of their fans, the girls, especially with Edwards’
vocal control, showcase their talents thoroughly. The girls kick it old school
in Mr.Loverboy, which maintains a vintage sound with their special twist on
it, keeping it fresh and modern to their listeners. Salute’s fast tempo songs
do not disappoint the listener as the girls consistently manage a crisp, mature
sound throughout.
Although Little Mix excels with the output of their faster songs, their slower songs still portray their talents in singing and lyricism. In Little Me, Pinnock, Nelson, Thirlwall, and Edwards comfort their fans by writing a song that displays the struggles that many teenage girls deal with. They continue to assure them that being themselves is the best thing they can do. Their abilities are further exposed in the unplugged version of Little Me as their advanced harmonies are crystal clear. Salute’s feature ballad, These Four Walls, is a respite on the album from their many faster, upbeat songs. It deals with the life of a teenage girl who has lost hope within herself. These themes have been responded well by their fans because of how relatable they are. In their slower songs Little Mix fully provide the listener with their raw talent.
Although Little Mix excels with the output of their faster songs, their slower songs still portray their talents in singing and lyricism. In Little Me, Pinnock, Nelson, Thirlwall, and Edwards comfort their fans by writing a song that displays the struggles that many teenage girls deal with. They continue to assure them that being themselves is the best thing they can do. Their abilities are further exposed in the unplugged version of Little Me as their advanced harmonies are crystal clear. Salute’s feature ballad, These Four Walls, is a respite on the album from their many faster, upbeat songs. It deals with the life of a teenage girl who has lost hope within herself. These themes have been responded well by their fans because of how relatable they are. In their slower songs Little Mix fully provide the listener with their raw talent.
Little Mix’s sophomore album, “Salute”, does not fall short
of expectations left from DNA. Integrating a balanced mix of fast and slow
songs, the girls discuss topics relevant to today’s society, always reminding
their fans that they are perfect the way they are. Displaying tremendously
important messages to their fans while still portraying their vocal and lyrical
talents, Little Mix successfully created an album that will be on repeat for
hours.
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